Wednesday, October 30, 2013

What if Rome Had Not Adopted Christianity?

The blessing and curse of this inquiry if the wide range of possible outcomes that could have affected world history.  This hypothetical situation could affect art, exploration, religious freedom and expansion, colonialism, science, literature, language, and politics.  Cathedrals probably would not have influenced architecture and many buildings would probably be more heavily influenced by greco-roman buildings.  Michaelangelo would probably not have sculpted David or painted the Sistene Chapel.  Missions probably wouldn’t dot the California coast.  South and Central America may not have Spanish as a national language.  Would the founding fathers of the United States govern their lives by Judeo-Christian values and include those in the constitution?  Would our currency contain the phrase “In God We Trust”?

The first question that comes to mind is, “What would have happened to Rome and leaders such as Constantinople if he had not nationalized Christianity?”  Christianity was used as a tool of unification and subjugation for the rulers of that empire to keep it strong and centralized.  In place of Christianity, would they have used another religion to accomplish this, or would they have fallen due to their empire’s expanse and the possible lack of control that could have resulted from that?  While researching ancient European history, we found that at the time that Rome was adopting Christianity, Armenia and Georgia had already instituted Christianity as a state religion to counter the recently-created Sassanid Empire.  This empire was trying to impose a religion known as Zoroastrianism (which is a different monotheistic religion) as its own state religion.  Without Christianity, the Romans would probably have either had to pick a similar alternative or risk losing a valuable tool in their ongoing political and cultural struggle with the empire of Sassanid Persia.  After further research, we concluded that Christianity would probably have been replaced with Mithraism (which is a cultic religion based heavily on initiation, rituals, rites, and various objects of worship) or some accessible form of Neoplatonism.  In the case of the latter, Zoroastrianism probably would have continued in Georgia and Armenia, and maybe even much of Roman Asia, while some form of traditional polytheism continued in the rest of the Roman Empire.

Both of these religions are very mystic and ritual-based.  They rely heavily on symbols and various motifs in their art that are absent from Christianity.  Instead of the Sistene Chapel depicting biblical scenes, Michaelangelo may have painted lion-headed, man-like figures, symbols of the moon, stars, crowns, and the sun, or different elements without people featured in them.  This is actually being exhibited (hypothesized might be a better word to use here) in the picture posted.  It is a “Photoshopped” picture of the statue of David modified to show Mithraistic properties of art.  Cathedrals may have looked more like the Parthenon than the buildings we see in present-day Rome.  Many modern languages may not be latin based, but may be more like Iranian or Armenian languages.

In relation to the reading from this week by Bleecker, this assignment shows how deeply fact and fiction can be related.  Our inquiry addressed a choice made by an elect few and how deeply it has impacted world culture and history, whereas others generally deal with current impossibilities being possible or normal.  Bleecker also talks extensively about how fiction follows fact (and vice versa to some extent), and this points directly to our inquiry because the world we were trying to imagine is a fictional one, but so many facts world history would have changed if Rome didn’t adopt Christianity.


Monday, October 21, 2013

Poaching Piece

Every Villain Wants to Rule The World

Upon reading the assignment description on the class blog, I immediately thought of at least a dozen different pieces of art that I could poach (to use the term used by Benjamin) and another dozen ways that I could change them and make them uniquely “me” as it were.  I thought that some students might near-immediately think of various films to poach, as we are all film students, so I wanted to use a different piece of art.  As I thought of numerous pieces of art to pirate, I asked myself the questions, “What is uniquely ‘you’?  What sort of art do you enjoy that your classmates or other people in general might not?”

The first two ideas that came into my head were “Hip-Hop” and “Comic Books.”  The result of this idea is a song of my own creation.  Incidentally, I added another layer of “myself” as it were, to this project.  What I have done is “sampled” the song “Everybody Wants to Rule the World” by Tears For Fears and created a hip-hop song with it.  I chose this song in order to incorporate not only another taste of mine into it, but also the comic book aspect of my idea.  I thought of this song because my favorite comic book as a child was X-Men (and this art fulfills the requirement of being older than I am).  Unlike many other heroes, almost every villain that the X-Men battled with was bent on world-domination or change.  Certain politicians such as Graydon Creed wanted to change the face of America and even the globe in an attempt to enslave or repress mutant-kind, while others like Magneto and The Brotherhood of Evil Mutants wanted to liberate it, hence the thought of the title of the Tears For Fears song (which is also older than I am).

 Hip-Hop and the comic X-Men have both, historically, dealt heavily with the issues of race, coexistence, freedom, and oppression.  While other art forms have largely and thoroughly explored these ideas since before these two were created, few comics and few forms of music have been as outspoken or metaphorical about such issues to the extent that these have.  Now, there is seemingly a contradiction between why someone like myself identifies with these mediums that explore these issues (being that I have not been greatly oppressed in my life or experienced hateful racism directed toward me), but I have always been a person that is interested in art, especially words and drawings.  I have always been interested in an artist’s craft, how they evoke emotion or thought while making words rhyme, how a graffiti artist can do the same with spray paint (and before you criticize, graffiti is one of the four fundamental elements of hip-hop), or how a comic book artist can draw action associated with dialogue accurately in many different frames on a page.


The stereotypes of being a nerd because of a love of comic books or being a gangster or thug because of a love of hip-hop may seem like contradictions upon seeing or meeting me for the first time, but I submit that these stereotypes fail to hit the mark when describing the type of fundamental elements that are associated with these art forms, the elements that I identify with.  For this assignment’s sake, these elements are the craft of writing hip-hop lyrics, the expression of unrest or dissatisfaction through the form of rhyme, the process of making images speak and tell stories with action and drama, and the art of telling a compelling story.

Monday, October 14, 2013

Abstract

Vibrations

With this assignment, my main goal was to create something that was abstract from less abstract objects.  I decided to create a piece of music because it is something that fills my day, something that I come into contact with constantly.  Rhythm, which is an essential aspect of music, is something that we can all feel inside of us and even create, even if we aren’t listening to music on a record or an iPod.  I do not feel like other art forms are so constant in our lives as music is.  While we can draw inspiration from all kinds of objects and processes for all forms or types of art, only with music do these processes and objects actually create a specific type of art on their own without human assistance (apart from hearing the actual sounds).

Because sound is, at its core, the result of vibrations of different objects, I wanted to highlight the basic nature of sound itself to create rhythm and even bits of melody.  I recorded sounds of phones vibrating, rulers vibrating, strings vibrating, and any other object that I could find that I could make vibrate.  I recorded those sounds and assembled them together in the most rhythmic way that I could.  The most difficult part for me was trying to keep the piece “abstract.”  I naturally had a tendency to want to make it more rhythmic but especially more melodic as well.  I tried to find a balance between seeking for rhythm in order to highlight the vibrational quality of music, but also keep it focused on just that without including too many other aspects of song making.


While thinking about this piece, I thought about the work of different artists like DJ Shadow and Kid Koala that often incorporate sound effects like sneezes, clapping, coughing, and scratching in their music making processes.  Both of them are disk-jockeying hip-hop artists that have done production on many artists’ album, but their own work is much more abstract.  A fundamental part of music and especially hip-hop is the ability to make that kind of music with no musical instruments.  This kind of music started by taking objects that weren’t supposed to be instruments (like record players) and making a new type of music with new sounds or using old sounds and music that others had already recorded and making them new.  Similarly, I used everyday sounds to try to create vibrations that not only highlighted the average person’s every-day experience, but also hint at our ability as humans to find art in all of the objects that we use and come into contact with throughout our lives.

Tuesday, October 8, 2013

Viva Santa Anna

This is a Link to the past
https://docs.google.com/file/d/0B9TVCUC7XksEc3d2SDJOUjNMTjQ/edit?usp=sharing

Our original intention for this assignment was to write about the adventure of a group of Mexican soldiers assigned to the rescue of Santa Anna, the president of Mexico, after his capture at the Alamo. According to the stories we were told by people we met in our missions, this was when he sold the western half of the United States to the USA. We figured this would be a powerful motivation for a seemingly suicide mission rescue. However, when we began to do the research for our story we realized that the stories we were told were baseless; the only property bartered upon his capture was a small portion of Texas.
We studied various articles, books (see numbers 1 and 2 below), songs (#3), and Santa Anna’s Wikipedia page (#4), hoping to find something that we both believed would be a good story. At this point we both discovered an interesting part of his life; Santa Anna being exiled to Cuba, (which on one hand doesn’t sound like that bad of a deal) while there he communicated with the USA to get assistance in reclaiming power in Mexico. This reminded us of the film ‘The Count of Monte Cristo’, when Napoleon, also in exile, tricks a young Edmund Dantes into carrying a letter to his supporters in France. Fittingly so, Santa Anna was commonly referred to as the Napoleon of the west.  
Now that we had a new premise, we still needed a story. Who would be the courier? Would he be a willing participant? What would motivate him? What trials would he face? As we began to throw ideas around, and we worried a lot about being factual and accurate, we thought about what we had talked about in class, in regards to “Be Kind Rewind” and “My Grandmother Ironed the King’s Shirts”. It doesn’t have to be factual; it’s history how we understand it, or how it came to us. There is no wrong or right.
So we shot the screenplay back and forth each ironing out the others errors, making sure the other's voice was heard and his ideas included until we finished our story. There is no guarantee that this story is historically accurate, but it is an honest representation of our ideas, and plausible answer for how Santa Anna managed to get a letter past his prison guards and to the USA during his exile in Cuba in 1846. The best part about this project for us was learning about the power of collaborating, the story came together a lot faster, and we feel a lot better quality then either of us could have done individually. 

1.  Santa Anna:  The Napolean of the West.  Frank C. Hanighen, 1934
2.  From the Life of Santa Anna.  Clarence Wharton, 1926
3.  http://mainlynorfolk.info/lloyd/songs/santyanna.html - song information for "Santianna"
4.  http://en.m.wikipedia.org/wiki/Antonio_Lopez_de_Santa_Anna